A big-hearted consideration of gentrification and the erosion of time.
In Green’s satirical novel, a colorful Atlanta journalist covers a chaotic summer in his embattled neighborhood.
Archie Johnson is not God, though people call him that. The nickname has to do with his flowing silvery mane, long white beard, unplaceable ethnicity, and big personality. The freelance journalist writes primarily for the Atlanta Beacon, but he’s obliged to take any work he can find to keep his ancient home from falling apart. God inherited the Queen Anne–style house from his racist white grandfather, who allowed the property to fall into ruin after fleeing for the suburbs decades ago. That the house sits in the heart of the now predominantly Black neighborhood of Sweetberry Park is just a happy irony. God—a light-skinned man with one-quarter Nigerian ancestry—sees himself as both scribe and protector of Sweetberry Park, a role that has renewed his life’s purpose following the long-ago tragic death of his wife and young son. God has his work cut out for him in the summer of 2018 as the neighborhood is beset not only by a new project from millionaire developer Lawrence “Lotto” Livingston, but also by a literal plague of snakes—the 17 deadliest species available at the nearby zoo, released into the neighborhood by a deranged zookeeper. With the help of a former blues singer with deep roots in the neighborhood, can God save some of Atlanta’s history—and his own—from getting erased? Green’s voice-forward prose, as narrated by God, is inflected with enthusiasm and regret for what Atlanta was, is, and will become. He bemoans sitting in traffic on the “fifty-lane freeway monster of perpetual immobility, our city’s source of constant constipation,” remembering when he was a boy, when they “laughed at its unbridled fattening and the notion that people from exotic places like Jersey City, Portland, and Topeka would ever consider migrating to our baby metropolis.” Atlanta residents will get the most out of this hyperlocalized story, but the issues Green’s tale touches upon—housing, race, migration, grief, and the changing face of cities—are familiar all over.
A big-hearted consideration of gentrification and the erosion of time.Pub Date: March 21, 2025
ISBN: 9781958861523
Page Count: 364
Publisher: The Sager Group LLC
Review Posted Online: May 21, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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